With the dust settling after another star-studded London Film Festival, Maria Duarte has finally come back out into the light after watching up
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Six years ago, a blood-soaked, low-budget, independent film called Dark Hearts, directed by Rudolf Buitendach and written and produced by Christian Piers Betley,
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The Bollywood film, Mulk (Country), is a powerful drama and a timely reminder of the struggle Muslims face in India about their identity
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It was my last day in Cannes, so for once, I had to make sure I was up for the 8.30am screening. In Under the Silver Lake, Andrew Garfield stars as a guy who’s just lost his job and is on the verge of losing his LA apartment, when he gets involved with a girl who disappears and then turns up dead, alongside a missing businessman.
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Spike Lee explains why he takes a pop at the US President at the end of his Palme d’Or-nominated film, BlacKkKlansman. Press conferences
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Today’s early film was from the Polish director Pawel Pawlikowski, whose previous film Ida won the Oscar for the Best Foreign Language film.
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I’d forgotten how tough Cannes is, being out late, staying up even later to file contemporaneous articles and then waking up early enough
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The head of the London Film Festival, Clare Stewart, tells us What’s Worth Seeing at this year’s event, picking five films not to be missed.
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For the last time this Cannes, I was up early to get to the 8.30am screening. This was Roman Polanski’s late addition to the festival, out of competition, Based on a True Story – which was based on a novel, which wasn’t itself a true story.
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After another late night, I’d decided to give myself another late morning, but after someone drew my attention to an early screening of Patti Cakes, a Sundance success that was playing in the Directors’ Fortnight strand, I decided to give it a go.
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With every film in the two official strands at Cannes being a world premiere, rarely has much been written about the selected films
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It was another early start for one of the most hotly anticipated competition titles of the year; Sofia Coppola’s remake – or re-imagining – of Clint Eastwood’s 1971 US civil war era drama, The Beguiled. I was particular keen to see it in the light of some early suggestions that the film was so poor, people were laughing at it.
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