Find out what two film-makers got out of coming to the Cannes Film Market – Christina Yianni with her first short and Brian Barnes with his first feature
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There’s no doubt it’s an exciting time to be a filmmaker with the democratisation that digital tools have brought to the field. But
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It might have been one of the wettest Cannes Film Festivals in living memory, but from from the point of view of the industry, it had to be good news – those spare moments that critics and buyers alike might have spent relaxing on the beach would instead have been spent in the many cinemas and screening rooms
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