Cannes 2017 – The Only Tuesday
This morning, I granted myself a well-earned lie in, eschewing the Japanese Palme d’Or competition entry screening at 8.30am and instead, ensuring that I made it to the Palais in time to see Jeune Femme, a low budget drama from first time French director Léonor Serraille, screening as part of the Un Certain Regard strand.
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